دانلود پلاگين و وی اس تی Free Download VST-Plugins دانلود Adam Monroe Music Wurlitzer v2.0 VST KONTAKT (WIN)-DECiBEL Wurlitzer v2.0 VST KONTAKT-DECiBEL - Part 1. Mercuriall Audio 'Back to School' Sale Audentity Records '6 packs for $9,95' Bundle Tonsturm Sale: 40% Off FRQ Shift - Spectral Shifting Plugin VSTBuzz: 77% off Drum Weapons 4 VST by Music Weapons Kilohearts offers 50% off Disperser and Faturator (VST/AU/AAX/Snapin) Mastering The Mix 'Expose' 30% Off Until August 31st Eventide ShimmerVerb 60% Off ($39) Until September 9th MeldaProduction. Lightwave 3d 2018 0 2 – 3d animation software.
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Windows | Mac | Samples | Kontakt
KONTAKT: Team DECiBEL | 02 November 2019 | 3.81 GB
WiN/MAC: P2P | 12 February 2020 | 3.78 GB each
WiN/MAC: P2P | 12 February 2020 | 3.78 GB each
Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp.
Each note of the 73 note of the Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.
This particular Rhodes Piano was relatively in-tune, but some post-processing re-pitching was necessary in order to bring every note into a -2 +2 cent variance of equal temperament. The 'bass boost' knob of the Rhodes Piano was set to 1 and the volume knob was set to 9. The instrument was left natural sounding, without eq tweaking, although one note was eq'd in order to make it fit with the rest.
The phase of the two signals had to be carefully adjusted by hand for each note, as the amp signal significantly lagged behind the DI signal. The settings on the amp were treble: 5 bass: 5. The amp signal has a slightly more agressive tone, well the DI signal is warmer and fuller. Samples are 16 bit, 44.1 kHz wav files.
FEATURES:
10 velocity layers, 3 note round-robin.
DI and amped samples.
73 key range from E1 to E7.
Built-in reverb and distortion.
Over 6,500 samples (including releases).
Release v2.0 2/10/2020
***********************
Improvements since last version:
*Mac Au/VST versions now conform to OS X Catalina code signing and notarization requirements.
*Mac versions are now installed via package installers.
Adam Monroe Wurlitzer Kontakt Download Free Download
*Resources for Mac versions and a config file are now placed outside of the amhonky.vst and amhonky component bundles. This is because Apple wants things code-signed now: verifying resources in a bundle would take too long and the config can’t be inside because it would invalidate the code signature. If you don’t like it, complain to Apple!*Maintaining separate legacy (32-bit) Mac versions for those who need them (OS X 10.9-10.14)
New Features:
*Added built in Tremolo (From Adam Monroe's Tremolo) and built in Delay, Phaser, Chorus, AutoWah, and Tone knobs.
*Made smooth switch a variable knob.
*Added 40 or so presets.
home page:
https://bit.ly/2uPtDN5
Adam Monroe Wurlitzer Kontakt Download Free Online
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Adam Monroe Music Wurlitzer v2.0 VST AU AAX WIN OSX (Team DECiBEL) - виртуальное электронное пианино
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Adam Monroe Music Wurlitzer v2 виртуальных инструментов был взят из 'ранней модели' электронного пианино Wurlitzer 200A 1970-х годов. Процесс начался с микширования на фортепиано с конденсаторными микрофонами Beyerdynamic MC930 на встроенных динамиках Wurlitzer и ленточным микрофоном AEA R84 на линейном выходе через усилитель реверберации Fender Deluxe. Эти сигналы подавались в предусилители Grace M101 и AEA TRP соответственно.
The wurlitzer's amplifier and preamp were re-capped in an attempt to save the amplifier, but about half way through the sampling process the amplifier died, which eventually killed the power transformer. The preamp, amp, and power transformer were all replaced and sampling continued. Well sampling the bass notes, it became apparent that the Wurlitzer's built in speakers also needed to be replaced.
Most keys on the Wurlitzer were in tune, but a few keys needed fine adjustment, and F2 needed to be replaced completely, as our attempt to 'add solder' to the lead tine, in order to lower the pitch, failed completely. The Wurlitzer samples were processed with EQ to cut a lot of the low frequencies out, in order to better sit in a mix as a more midrange instrument, as the bass frequencies were heavily dominant from close micing.
This was the most temperamental instrument we have sampled thus far. This is to be somewhat expected, as a Wurlitzer 200A contains numerous electronic components from the 1970's that were not designed to last 40+years, such as electrolytic capacitors. Compared to the passive design of a Rhodes piano, there's simply a lot that can go wrong, which is why we recommend purchasing a Wurlitzer sample library!
The library comes with built-in tremolo and delay, but for finer tuning please check out Adam Monroe's Tremolo and Adam Monroe's Delay, free plugins to further customize your sound, as well as Adam Monroe's Mark 73, for a slightly different electronic piano tone.
ENGINEERING:
Some simple linear distortion was added to the VST , AU, and AAX versions as well as some built-in reverb, chorus, wah, tone, and dampening knobs. Kontakt version has been depreciated, as the VST, Audio Unit, and AAX versions require programming beyond the simple Kontakt player. The goal in any sample library that is also a VSTi (virtual instrument), AU, or AAX plugin is to attempt to match the performance of the Kontakt Player. With this library, we feel like we have done just that.
The VST, Audio Unit, and AAX versions include updated, high-performance algorithms that have been improving with each new virtual instrument released by Adam Monroe Music. For example, the buffering algorithm is double-buffered and multithreaded, which means that buffering performance is fast, even on slower computers, and even in lower latencies. Voices are held and iterated over in a pure, C-Style array. Memory use is around 390MB . Because of the solid VST-AU-AAX code base, you can feel confident that the VST, AU, and AAX versions will work just as well as a Kontakt version.
Why develop a VST, Audio Unit, or AAX version at all? Although a great piece of software, the Full version of Kontakt (required to run 3rd party sample libraries) is expensive. Developing a VST, Audio Unit, or AAX plugin that anyone can use does not add significant time to the development of a Wurlitzer sample library - most of the time is spent sampling and processing the samples - so it's a real no-brainer.
Audio engineering is a large part of creating a VST, Audio Unit, or AAX plugin, but the sounds of this Wurlitzer library have barely been processed. Low Frequency mud was cut, and the tone can be shaped dramatically by blending between DI and amp signals. Adding distortion, even a small amount, can significantly drive the gain and presence of the signal.
The built-in Tremolo is set to match the classic 'vibrato' speed of a Wurlizter electric piano, with variable intensity. The wah knob is matched to the tremolo speed and is a subtle effect. At full level the distortion knob may cause overload and clipping, so it's best to use the smoothing knob in conjunction.
Most keys on the Wurlitzer were in tune, but a few keys needed fine adjustment, and F2 needed to be replaced completely, as our attempt to 'add solder' to the lead tine, in order to lower the pitch, failed completely. The Wurlitzer samples were processed with EQ to cut a lot of the low frequencies out, in order to better sit in a mix as a more midrange instrument, as the bass frequencies were heavily dominant from close micing.
This was the most temperamental instrument we have sampled thus far. This is to be somewhat expected, as a Wurlitzer 200A contains numerous electronic components from the 1970's that were not designed to last 40+years, such as electrolytic capacitors. Compared to the passive design of a Rhodes piano, there's simply a lot that can go wrong, which is why we recommend purchasing a Wurlitzer sample library!
The library comes with built-in tremolo and delay, but for finer tuning please check out Adam Monroe's Tremolo and Adam Monroe's Delay, free plugins to further customize your sound, as well as Adam Monroe's Mark 73, for a slightly different electronic piano tone.
ENGINEERING:
Some simple linear distortion was added to the VST , AU, and AAX versions as well as some built-in reverb, chorus, wah, tone, and dampening knobs. Kontakt version has been depreciated, as the VST, Audio Unit, and AAX versions require programming beyond the simple Kontakt player. The goal in any sample library that is also a VSTi (virtual instrument), AU, or AAX plugin is to attempt to match the performance of the Kontakt Player. With this library, we feel like we have done just that.
The VST, Audio Unit, and AAX versions include updated, high-performance algorithms that have been improving with each new virtual instrument released by Adam Monroe Music. For example, the buffering algorithm is double-buffered and multithreaded, which means that buffering performance is fast, even on slower computers, and even in lower latencies. Voices are held and iterated over in a pure, C-Style array. Memory use is around 390MB . Because of the solid VST-AU-AAX code base, you can feel confident that the VST, AU, and AAX versions will work just as well as a Kontakt version.
Why develop a VST, Audio Unit, or AAX version at all? Although a great piece of software, the Full version of Kontakt (required to run 3rd party sample libraries) is expensive. Developing a VST, Audio Unit, or AAX plugin that anyone can use does not add significant time to the development of a Wurlitzer sample library - most of the time is spent sampling and processing the samples - so it's a real no-brainer.
Audio engineering is a large part of creating a VST, Audio Unit, or AAX plugin, but the sounds of this Wurlitzer library have barely been processed. Low Frequency mud was cut, and the tone can be shaped dramatically by blending between DI and amp signals. Adding distortion, even a small amount, can significantly drive the gain and presence of the signal.
The built-in Tremolo is set to match the classic 'vibrato' speed of a Wurlizter electric piano, with variable intensity. The wah knob is matched to the tremolo speed and is a subtle effect. At full level the distortion knob may cause overload and clipping, so it's best to use the smoothing knob in conjunction.
Сайт разработчика: Adam Monroe Music |
Размер: 2.02 GB / 2.03 GB |
Wurlitzer v2.0 VST AU AAX WIN OSX (Team DECiBEL) Turbobit: Wurlitzer_v2.0_WiN.part1.rar Wurlitzer_v2.0_WiN.part2.rar Wurlitzer_v2.0_WiN.part3.rar Wurlitzer_v2.0_MacOSX.part1.rar Wurlitzer_v2.0_MacOSX.part2.rar Wurlitzer_v2.0_MacOSX.part3.rar Unibytes.com: Wurlitzer_v2.0_WiN.part1.rar Wurlitzer_v2.0_WiN.part2.rar Wurlitzer_v2.0_WiN.part3.rar Wurlitzer_v2.0_MacOSX.part1.rar Wurlitzer_v2.0_MacOSX.part2.rar Wurlitzer_v2.0_MacOSX.part3.rar Uploaded.net Все ссылки являются взаимозаменяемыми! / ALL LINKS ARE INTERCHANGEABLE! |
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Adam Monroe Wurlitzer Kontakt Download Free Windows 10
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